Compiled from the Performing Arts programmes* and Visual Arts exhibition records from HKADC’s Arts Yearbooks and Annual Arts Survey projects dating from 2010.

Gutai Works

Visual Arts

Event Detail Image
Art Genres / Sub-categories

Mixed Media and Installation

Location

Axel Vervoordt Gallery
Unit D, 15/F Entertainment Building, 30 Queen's Road Central, Hong Kong

Start Date

2015/10/28

End Date

2016/01/08

Art Genres / Sub-categories

Mixed Media and Installation

Location

Axel Vervoordt Gallery
Unit D, 15/F Entertainment Building, 30 Queen's Road Central, Hong Kong

Start Date

2015/10/28

End Date

2016/01/08

Gutai Works

Description

Description

Norio Imai’s art is reflective of an increasing shift toward the feminine, which is one of the most significant changes currently taking place in the world we live in. His works may be described as maternal, with fluid and matrixial qualities gaining importance over unambiguous masculinity. In a complete pureness, his works embrace all possibilities.

From the very start of his artistic career, Imai challenged the dogma of artistic convention. He placed material underneath the surface of his work to create bulbous reliefs that occupied a space in-between object and painting.

Imai creates monumental monochrome white paintings out of almost nothing. He considers white to be the ultimate colour, a non-colour that combines all colours in perfect harmony. Imai often repaints the surface of a piece with an additional layer of paint to preserve the depth and purity of the whiteness. To him, white is a landscape made up of nothingness and emptiness.

The void, full of hope and meaning, is the dimension that connects mankind. It’s a universal concept understood in all cultures, which crosses the boundaries of time. The urge for new beginnings was found all over Europe during the 1950s and ‘60s. Parallel art movements such as the Italian Azimut, German ZERO and Dutch Nul, were all looking for a fresh start. Similarly, Western artists explored the concept of the unknown and the void in order to move forward.

From 1965 onwards, Imai added projections and moving structures to his works, creating a more kinetic type of art. After the break-up of the Gutai Art Association in 1972, Imai began experimenting with photography and video, with which conceptual tendencies were strengthened. Despite his deep engagement with digital media, his work ultimately points back to the importance of “lived” time, materials and human interaction.

Organiser / Presenter Axel Vervoordt Gallery
Artist:Norio Imai

Note:This event record is compiled from "Hong Kong Visual Arts Yearbook 2015" published by Department of Fine Arts, The Chinese University of Hong Kong.

Info

Indoor / Outdoor

Indoor

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