Visual Arts

Poetic Heritage explores the critical and creative relationships between heritage and contemporary art through the works of six artists and artist duos from Hong Kong and beyond. Each of the artists offers insight on the many ways that “heritage” provides a productive lens to engage with contemporary issues, while expanding on the notion of “heritage” itself. In doing so, the exhibition also considers how much power and agency individuals have in determining what is retained and reimagined of our heritage.
Poetic Heritage looks at how discarded objects could be considered “heritage”. Rather than focusing on rare or expensive materials, some of the artists choose to salvage objects that are regarded as neglectable or negligible, prompting discussion about what differentiates art, heritage, and debris—and what is worth preserving. One of the artists in the exhibition, Jorge Otero-Pailos, has suggested that “experimental preservationists carefully guard their freedom to choose objects that might be considered ugly, unsavoury, or unworthy of preservation.” Through their creative practices, artists have the potential to open up a new discourse on heritage-making, providing a more nuanced and pluralistic perspective on what to keep for future generations, and what to let go. By deliberatively salvaging unconventional things that have captured evidence of the past, the artists reveal the untold, forgotten, and neglected stories associated with expanded notions of heritage.
Poetic Heritage also reflects on the notion of identity, which at best may be associated with community and at worst with exclusion. In particular, the expert-driven process of heritage-making, together with limited conceptions of heritage, can end up producing grand narratives that reflect authoritative views and dominant values, while at the same time engaging in marginalisation and silencing by omitting the rights of indigenous groups, displaced peoples and minorities. A crucial question is how we may find ways to push beyond the limitations of present practice and explore what future possibilities may exist for heritage-making.
By examining a range of contemporary forms of art and artistic practices, Poetic Heritage not only articulates the diverse connotations of heritage but also offers up an analysis and exploration of how contemporary artists embody a material, dialogical, emotional, and intellectual response to heritage. Heritage conservation thus becomes an active and creative process that generates relatable ideas connected to the contemporary world and our common future, rather than a passive process of simply preserving things from the past.